Category: IBM PC

  • Don Lokke and “Mack the Mouse”: ANSI art and webcomics, Part 5

    Don Lokke and “Mack the Mouse”: ANSI art and webcomics, Part 5

    This is the final part of a multi-part series. In an alternate universe somewhere, nobody has heard of “webcomics.” Instead, there are thousands of “telecomics.” Thirty years ago, Don Lokke Jr. hoped to make that universe a reality. In 1992, he coined the term “telecomics” to describe his new digital comic strips, drawn primarily in…

  • The business of BBSing: ANSI art and webcomics, Part 4

    The business of BBSing: ANSI art and webcomics, Part 4

    This is the fourth part of a multi-part series. Once upon a time, drawing comics in daily newspapers could be lucrative. In the 1950s, Al Capp, the creator of “Li’l Abner,” was pulling in $500,000 a year — about $6 million today. He was a genuine celebrity, making guest appearances on talk shows and even…

  • Eerie and “Inspector Dangerfuck”: ANSI art and webcomics, Part 3

    Eerie and “Inspector Dangerfuck”: ANSI art and webcomics, Part 3

    This is the third part of a multi-part series. “I’ve always been kind of restless,” says Eerie, the ANSI artist who created the character “Inspector Dangerfuck” in 1994. Today, Eerie is a musician and author, with a deep knowledge of cartoons and comics. But back then, he was a teenager in Quebec trying to make…

  • BBSes and the artscene: ANSI art and webcomics, Part 2

    BBSes and the artscene: ANSI art and webcomics, Part 2

    This is the second part of a multi-part series. Both Eerie and Don Lokke emerged from opposite ends of the ANSI art spectrum. But … what is “ANSI art”? Before we can profile the two main subjects of this series or explore their work, it’ll be important to understand the BBSing subculture of the early…

  • Filling in the blanks: ANSI art and webcomics, Part 1

    Filling in the blanks: ANSI art and webcomics, Part 1

    This is the first part of a multi-part series. Does ANSI art have a place in the history of webcomics? One of the first chroniclers of webcomics history thought so. In the first chapter of his 2006 book, “A History of Webcomics,” T Campbell tackled the “prehistory” of webcomics by discussing ARPAnet, ASCII art, and…

  • Instant Graphics and Sound, Part 6: Legacy

    Instant Graphics and Sound, Part 6: Legacy

    This is the sixth part of a multi-part series. The Instant Graphics and Sound format reached its zenith in September 1991 when artist Steve Turnbull published two psychedelic animations on a messageboard on the CrossNet network for Atari ST bulletin boards. Both were built around large triangles: a pyramid in one, a volcano in the…