Category Archives: Front-end clients

A series examining various graphical front-end clients developed by programmers to enhance their BBS door games.

A different way to play, part 5: TWTerm

This is the fifth installment in my series “A different way to play” about front-end clients for BBS door games.

TWTerm

TWTerm

I was never a very good TradeWars 2002 player. Sure I would trade, hunt for the StarDock, and fight other players — but I was probably just cannon fodder for the serious players. (Check out the textfile Slice’s War Manual, an incredibly detailed guide to TradeWars, for a taste of what the good players were doing.)

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A different way to play, part 4: GTERM

This is the fourth installment in my series “A different way to play” about front-end clients for BBS door games.

GTERM

GTERM was a front-end for Land of Devastation that enabled an SVGA-resolution interface with graphics, music, and sound effects.

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A different way to play, part 3: OOIITERM

This is the third installment in my series “A different way to play” about front-end clients for BBS door games.

OOIITERM

OOIITERM (also called “Overkill Ansiterm”) was a front-end for Operation Overkill II. Its purpose was to render the game’s interface instantly for users who had slow modems. It also offered optional SoundBlaster sound effects.

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A different way to play, part 2: Pit Terminal

This is the second installment in my series “A different way to play” about front-end clients for BBS door games.

Pit Terminal

A session of “The Pit” as seen in PitTerm.

James Berry’s The Pit was an action game in which players could fight each other in gladiatorial combat. In the normal ANSI version of the game, the player character and his opponent are each represented onscreen by the symbol Ω, the Greek letter omega, which some players remember today as “the little horseshoe”. The player moves this symbol around the arena using the arrow keys, engaging in close or long-range combat as desired.

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A different way to play: front-ends

This is the first installment in my series “A different way to play” about front-end clients for BBS door games.

Silent. Simple. Social.

I think that’s how most people remember BBS door games. They think of quaint multiplayer, turn-based, text games. The games’ lack of sophisticated graphics, music, and sound effects are probably considered flaws. Their social aspect is remembered fondly — it was door games’ primary advantage and marketable difference over video games in the 1980s and 90s.

Today I’d like to dig deep and consider those “flaws.” How did the limitations of BBS technology shape door games? How did door game authors work around those limitations?

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Hatari, Lantronix, and CosmosEx: My quixotic quest to play “Thieves Guild”

Allow me introduce you to the “Thieves Guild Emulator,” a graphical front-end client for the Atari ST BBS game “Thieves Guild.”

(Update: I have replaced the original video I posted with a new version that includes the game’s sound effects, as well as some gory combat)

It took me a long time to reach the point where I could make that video. In this blog post, I’m going to explain that journey. I’ll also tell you a bit about the game itself. In fact, maybe that’s where I should begin.

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